
I do see parallels in my own life - I've always wanted to be on Broadway, and I waited 38 years.

Anybody who's attained any sort of dream success understands that it doesn't always happen right away. Belief in your dreams, belief in who you are. I don't want to spoil your arc, but in this play, you have a particularly satisfying journey that takes your character a literal lifetime. He reminds us of who we are, where we're coming from, where we're going, and to notice what we have left.
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It's about the experience of your life, and not how to live your life. What he writes about just transcends life. Noah is a mystic, and this play gives us a new perspective. Rereading it over the last two years, I kept seeing things I never would have seen. The pandemic really shook me to the core and helped me understand what really is important. I don't think I would have understood the beauty of this piece two years ago. This play just reminds us of how everyone's life is a work of art. We all had the same experience, which is one thing, but this play, on top of it, is just a constant reminder of what one needs to be grateful for. The pandemic certainly has put everything into perspective.

I think if we had gone up two years ago, we wouldn't have had the same reaction. It seemed like the whole audience was sniffling and dabbing at their eyes. I don't think I've seen a collective emotional reaction the way Birthday Candles provides in a really long time. This conversation has been condensed and edited for clarity. Here, he tells us why.Įnrico Colantoni and Debra Messing in Birthday Candles He doesn't even think he really understood the beauty of the play until now. The two-year break has given him a new perspective on the work, Colantoni says. Colantoni has a long stage resume, too, but this production, at the American Airlines. Returning for the ride is Enrico Colantoni, a very familiar face from TV's Just Shoot Me and Veronica Mars. Now, almost exactly two years on, Birthday Candles is in previews, once again with Debra Messing leading the company and Vivienne Benesch directing. One thing never wavered: Roundabout Theatre Company's commitment to this emotional new drama, which charts the life of an ordinary woman over the course of 90-odd years, through marriages, births, deaths, and cakes. Like every other theater production in New York and across the world, the actors gathered their things, left the building, and watch their entire run dwindle away as a month became a year, and one year became two. The cast of Noah Haidle's Birthday Candles was in rehearsal when Broadway shut down in March 2020.
